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<record
    biblionix-libraryname="Mammen Family Public Library"
    biblionix-libraryid="534"
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    <subfield code="a">6348158</subfield>
    <subfield code="b">Kanopy</subfield>
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    <subfield code="a">(OCoLC)1124282887</subfield>
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    <subfield code="a">Jim Dine</subfield>
    <subfield code="h">[Kanopy].</subfield>
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  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="b">Michael Blackwood Productions, </subfield>
    <subfield code="c">1970.</subfield>
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    <subfield code="a">[San Francisco, California, USA : </subfield>
    <subfield code="b">Kanopy Streaming, </subfield>
    <subfield code="c">2019.</subfield>
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    <subfield code="a">1 online resource (streaming video file) (31 minutes) :</subfield>
    <subfield code="b">digital, .flv file, sound.</subfield>
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    <subfield code="a">Title from title frames.</subfield>
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    <subfield code="a">Film.</subfield>
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    <subfield code="a">George Passmore, Gilbert Prousch, Jim Dine, Nancy Dine.</subfield>
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    <subfield code="a">Originally produced by Michael Blackwood Productions in 1970.</subfield>
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    <subfield code="a">Jim Dine’s compelling connection to words and writing is visceral in both his poetry and painting. The artist does not feel the two mediums are mutually exclusive, but rather that they have the ability to heighten one another. It is in this realm of overlap that Dine’s art exists. In reference to his use of words within his paintings, Dine says that, “making works from words rather than from color” is entirely the same thing. Whatever vessel or method one uses to create art then becomes their tool. Dine moves through his work, feverishly utilizing charcoal, paint, and his own hands to create pieces such as Picabia III (Groans) and Picabia II (Forgot). Dine’s style and structure evoke a chaotic stream of consciousness that allows his viewer to glance inside the artist’s mind. Whether it be words or objects, Dine seeks to bring forth meaning through focus and repetition. Symbols and images often repeat themselves in Dine’s pieces and his palpable interest in his subjects infuses them with a rare kind of poetic power.</subfield>
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    <subfield code="a">Mode of access: World Wide Web.</subfield>
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    <subfield code="a">Artists.</subfield>
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    <subfield code="a">Art.</subfield>
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    <subfield code="a">Documentary films.</subfield>
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    <subfield code="a">Documentary films.</subfield>
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    <subfield code="a">Blackwood, Michael (Filmmaker),</subfield>
    <subfield code="e">film director.</subfield>
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    <subfield code="a">Passmore, George,</subfield>
    <subfield code="e">actor.</subfield>
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    <subfield code="a">Prousch, Gilbert,</subfield>
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    <subfield code="a">Dine, Jim,</subfield>
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    <subfield code="a">Dine, Nancy,</subfield>
    <subfield code="e">actor.</subfield>
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    <subfield code="a">Michael Blackwood Productions (Firm).</subfield>
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    <subfield code="a">Kanopy (Firm).</subfield>
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    <subfield code="u">https://USERNAME.kanopy.com/node/5348159</subfield>
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